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The men kill the pig, the women do the prep, we set the table for the men, and we eat the men’s leftovers. And actually, can I just say, Wing, your work was essentially the reason why I became a photographer.
Because, Wing, you’ve had these public exhibitions on Lake Street and University Avenue and in Frogtown and the community has been able to see your work, which is something remarkable in itself.
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These are pictures that we carry, that I still have of my parents, of us.
Two of the three types of pictures in this exhibition are either found studio portraits of Hmong women posing for online dating sites, or studio shoots that you’ve personally produced.
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— At the age of four, in 1986, Pao Houa Her sought refuge from Laos with her family in the US.
By 2011, she became the first Hmong woman to graduate from Yale’s MFA program, focusing her photography on Hmong refugee populations in the US.
Once you’re in front of this backdrop that’s usually very floral, or usually an iconic image, and you put on clothes that you don’t wear every day, shiny clothes, maybe things you wear once a year, maybe for the Hmong New Year, or even clothes that you don’t actually have yourself — like at Xiong Portraits they have clothes from all over the world, Chinese outfits, Vietnamese outfits, wedding gowns.