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Her concepts and designs often contain contradictory elements and a new playful approach, that she uses to push boundaries, resulting in a little idiosyncrasy or raw edge in every one of them.
The desire to bring textile into the interior in a different way than we are used to, resulted in a technique that creates fragile looking skeletons, hat give the suggestion of a solid volume.
Can you explain more the idea of multidisciplinary that you use to describe your work?
My designs start in ideas or in concepts, not in end products.
Seeing, hearing and touching materials evokes thoughts and feelings.
It is like a poetic communication between the body and materials.
Weaving, knitting, crocheting, knotting etcetera are all very approachable ways to create, but unfortunately are often seen as old fashioned.
I wanted to shine a different light on textiles and textile crafts, by using textile in the interior in a different way than solely as upholstery.
I’ve always been fascinated by the human body, how it functions, how it behaves, how we present it and how it relates to a space.